"This book is an original, cogent account of the singular Florentine painter Piero di Cosimo (1462-1522), providing a concise survey of his life within his social, cultural and literary backdrop. Delving into the artist’s deliberately idiosyncratic life, the book shows how Piero chose to live in squalor, and eat nothing but boiled eggs, which (according to Vasari’s famous Lives of the Artists) he cooked fifty at a time in his painting glue. This book shows how the artist became the favourite of sophisticated patrons, who were eager to decorate their residences with pagan Greco-Roman mythological subjects. Piero’s vividly imagined portrayals led to his cornering the market on these commissions. At the same time his more orthodox, but never ordinary, religious altarpieces and private devotional paintings also won the admiration of leading Florentine families."

Lost in the woods with a horse, a mouse, and the ghost of a dead bird, you will discover if you're meant to live. In Sarah Blake's epic poem of survival, we follow a nameless main character lost in the woods. There, they discover the world anew, negotiating their place among the trees and the rain and the animals. Something brought them to the woods that nearly killed them, and they're not sure they want to live through this experience either. But the world surprises them again and again with beauty and intrigue. They come to meet a pregnant horse, a curious mouse, and a dead bird, who is set on haunting them all. Blake examines what makes us human when removed from the human world, what identity means where it is a useless thing, and how loss shapes us. In a stunning setting and with ominous dreams, In Springtime will take you into a magical world without using any magic at all—just the strangeness of the woods. 7. If only the night held one dream instead of many. In the next dream you dig up the bird. In the next dream you dig in the same place and find a gun. You've shot someone. You weren't supposed to return to this place where you hid the gun. You're an idiot in your dream. In the next dream the horse returns. The horse startles you awake. But you are still asleep. Dreams are some wicked things. In the next dream you are in a desert. That's different. You forget what grass is. What it smells like. What the shadows of trees look like across your legs. You laugh your head off at the sight of a cactus. In the next dream you can see the spirit of the bird that will haunt you for weeks. Her tongue makes you think all of her words will come out garbled. Then you remember all she does is sing.

Lost in the woods with a horse, a mouse, and the ghost of a dead bird, you will discover if you're meant to live. In Sarah Blake's epic poem of survival, we follow a nameless main character lost in the woods. There, they discover the world anew, negotiating their place among the trees and the rain and the animals. Something brought them to the woods that nearly killed them, and they're not sure they want to live through this experience either. But the world surprises them again and again with beauty and intrigue. They come to meet a pregnant horse, a curious mouse, and a dead bird, who is set on haunting them all. Blake examines what makes us human when removed from the human world, what identity means where it is a useless thing, and how loss shapes us. In a stunning setting and with ominous dreams, In Springtime will take you into a magical world without using any magic at all—just the strangeness of the woods. 7. If only the night held one dream instead of many. In the next dream you dig up the bird. In the next dream you dig in the same place and find a gun. You've shot someone. You weren't supposed to return to this place where you hid the gun. You're an idiot in your dream. In the next dream the horse returns. The horse startles you awake. But you are still asleep. Dreams are some wicked things. In the next dream you are in a desert. That's different. You forget what grass is. What it smells like. What the shadows of trees look like across your legs. You laugh your head off at the sight of a cactus. In the next dream you can see the spirit of the bird that will haunt you for weeks. Her tongue makes you think all of her words will come out garbled. Then you remember all she does is sing.

It is 1940. While war rages in Europe President Roosevelt promises he won't send American boys to fight. In the small Cape Cod town of Franklin postmistress Iris James firmly believes that her job is to deliver and keep people's secrets. Meanwhile seemingly fearless American radio gal Frankie Bard is reporting from the Blitz in London imploring listeners to pay attention to what is going on. The Postmistress is a tale of lost innocence.

Experience World War 2 through the eyes of two very different women in this captivating New York Times bestseller by the author of The Guest Book. "A beautifully written, thought-provoking novel."-Kathryn Stockett, #1 New York Times bestselling author of The Help In 1940, Iris James is the postmistress in coastal Franklin, Massachusetts. Iris knows more about the townspeople than she will ever say, and believes her job is to deliver secrets. Yet one day she does the unthinkable: slips a letter into her pocket, reads it, and doesn't deliver it. Meanwhile, Frankie Bard broadcasts from overseas with Edward R. Murrow. Her dispatches beg listeners to pay heed as the Nazis bomb London nightly. Most of the townspeople of Franklin think the war can't touch them. But both Iris and Frankie know better... The Postmistress is a tale of two worlds-one shattered by violence, the other willfully naive-and of two women whose job is to deliver the news, yet who find themselves unable to do so. Through their eyes, and the eyes of everyday people caught in history's tide, it examines how stories are told, and how the fact of war is borne even through everyday life.

The Sunday Times bestseller The Postmistress by Sarah Blake is a heart-rending and profoundly moving story of love and loss in World War II. It is 1940, and bombs fall nightly on London. In the thick of the chaos is young American radio reporter Frankie Bard. She huddles close to terrified strangers in underground shelters, and later broadcasts stories about survivors in rubble-strewn streets. But for her listeners, the war is far from home. Listening to Frankie are Iris James, a Cape Cod postmistress, and Emma Fitch, a doctor's wife. Iris hears the winds stirring and knows that soon the letters she delivers will bear messages of hope or tragedy. Emma is desperate for news of London, where her husband is working - she counts the days until his return. But one night in London the fates of all three women entwine when Frankie finds a letter - a letter she vows to deliver . . . The Postmistress is an unforgettable story of three women: their loves, their partings and the secrets they must bear, or bury . . . 'A beautifully written, though-provoking novel that I'm telling everyone to read' Kathryn Stockett, author of The Help 'A brilliant story, beautifully crafted, that touches the heart and captures the imagination' Sunday Express 'Unforgettable, heart-wrenching, captivating. A profoundly moving story of love, loss and life in war time' Sunday Independent 'Heartbreaking' Daily Express 'A World War Two blockbuster with echoes of Atonement' Red 'A moving tale that will stay with you long after the final page' Good Housekeeping Sarah Blake lives in Washington, D.C., with her husband, the poet Josh Weiner, and their two sons.

Sarah Blake follows up her previous book of poetry, Mr. West, with a stunning second collection about anxieties and injury. Blake uses self-consciousness as a tool for transformation, looking so closely at herself that she moves right through the looking glass and into the larger world. Fear becomes palpable through the classification of monsters and through violences made real. When the poems find themselves in the domestic realm, something is always under threat. The body is never safe, nor are the ghosts of the dead. But these poems are not about cowering. By detailing the dangers we face as humans, as Americans, and especially as women, these poems suggest we might find a way through them. The final section of the book is a feminist, science fiction epic poem, "The Starship," which explores the interplay of perception and experience as it follows the story of a woman who must constantly ask herself what she wants as her world shifts around her.

Sarah Blake follows up her previous book of poetry, Mr. West, with a stunning second collection about anxieties and injury. Blake uses self-consciousness as a tool for transformation, looking so closely at herself that she moves right through the looking glass and into the larger world. Fear becomes palpable through the classification of monsters and through violences made real. When the poems find themselves in the domestic realm, something is always under threat. The body is never safe, nor are the ghosts of the dead. But these poems are not about cowering. By detailing the dangers we face as humans, as Americans, and especially as women, these poems suggest we might find a way through them. The final section of the book is a feminist, science fiction epic poem, "The Starship," which explores the interplay of perception and experience as it follows the story of a woman who must constantly ask herself what she wants as her world shifts around her.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities-to their portrayal in the media-and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities - to their portrayal in the media - and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.